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Atul Prasad Sen---poet, singer and composer

The bard's 84th death anniv today

Published : Sunday, 26 August, 2018 at 12:00 AM  Count : 1841
Iftakhair Hossen
Atul Prasad Sen (1871-1934) was a poet, lyricist and singer. He is principally remembered as a musician and composer. He was born in Dhaka on 20 October 1871. His family hailed from a village called Magor in Faridpur. While still young, he lost his father. He grew up in the house of his grandfather, Kalinarayan Gupta, who was a follower of the Bhagavada, a good singer and a lyricist of devotional songs. Later, Atul Prasad picked up these qualities of his grandfather.
After passing the Entrance examination in 1890, he studied briefly at Presidency College in Kolkata. After he was called to the bar in London, he returned home to start legal practice in Kolkata and Rangpur, but later settled in Lucknow. He earned fame as the best lawyer in Lucknow and was elected president to the Oudh Bar Association and the Oudh Bar Council. He soon became immersed in the culture and lifestyle of Lucknow.
Atul Prasad was one of the founders of the non-resident (now Nikhil Bharat) Banga-Sahitya Sammilan. He edited the organisation's magazine Uttara and chaired the Kanpur and Gorakhphur conventions. Although he did not take active part in politics, he supported the Congress, and later showed liberal tendencies. He spent most of his earnings on the welfare of the local people; he even donated the rights to his property and copyright to his works welfare-oriented organisations.
Atul Prasad is principally remembered as a musician and composer. His songs centred around three broad subjects- patriotism, devotion and love. The sufferings he experienced in his life found their ways into his lyrics; and this has made his songs full of pathos.
Atul Prasad is one of the few poets who evolved a distinct literary style and who wrote from the close of the nineteenth century to the middle of the twentieth century when the over all literary style was heavily influenced by Tagore. Although he wrote relatively few songs compared to other contemporary lyricists, his creation shows originality and earned him an eminent place in the world of Bangla songs. His songs are known as Atul Prasader Gaan.
Atul Prasad practised law in Lucknow from 1902 to 1934. At this time, he used to hold musical soirees almost every evening at his residence where maestroes like Ahammad Khalif Khan, Chhotey Munne Khan, Barkat Ali Khan and Abdul Karim used to sing. Engrossed in such musical sessions, he used to forget to attend his clients. He wrote most of his songs during his residence in Lucknow. He wrote 206 songs, but only 50 or 60 of them are still sung.
Sahana Devi, Autlprasad's cousin, edited and published 71 songs, along with her staff notations, in Kakali (Chirrups, 1930) in two volumes. His other songs have been published in two volumes called Gitipunja and Kayekti Gaan. His songs were first recorded in Kolkata in 1922-23; the singers were Sahana Devi and Haren Chattopadhyay. The artistes who followed sang his songs differently, thereby raising a controversy.
Atul Prasad introduced the thungri in Bangla music. The introduction of raga-based Bangla songs was also one of his achievements. The thungri style was originally the creation of the noted musician, Nawab Wajed Ali Shah of Lucknow. Atulprasad adapted the Hindustani style to fit Bangla songs, without distorting their tune and measure. He was able to internalise the Hindustrani rendition style well since he lived almost half his life in northern India. He added a new dimension to Bangla songs and opened the way for further experiments.
He was greatly influenced by the baul, kirtan and bhatiyali tunes he had heard as a child in Dhaka and Faridpur. His songs written in the fashion of baul and kirtan have captured the nature of Bengal. He wrote many songs of love, devotion, patriotism etc. He wrote a song stressing the communal harmony between the Hindus and the Muslims on the occasion of the All-India Congress Convention in Lucknow in 1916 as captain of the volunteers. His Moder Garab, Moder Asha/ A Mari Bangla Bhasa speaks of his love for his mother tongue. This song inspired our people during the language movement and the War of Independence. It has retained its charm even now. He enriched Bangla songs through his experiments with lyrics, tune, measure, pathos, etc. He died in Lucknow in 1934.
Today marks the 84th death anniversary of the legendary musician.
The writer is a freelance contributor.






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