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18th Asian Art Biennale

Invisible Sufferings And Torments Of Women

Fakrul Islam Mazumder gets Honourable Mention Award

Published : Friday, 7 September, 2018 at 12:00 AM  Count : 475
Fakrul Islam Mazumder rceives the award from President Abdul Hamid. Cultural Minister Asaduzzaman Noor is also seen.

Fakrul Islam Mazumder rceives the award from President Abdul Hamid. Cultural Minister Asaduzzaman Noor is also seen.

Noted printmaker Fakrul Islam Mazumder known as Shakil has received the Honourable Mention Award at the 18th Asian Art Biennale. His woodcut titled "Odyssey" shows the disposition of three women or perhaps a single woman from three different viewpoints. Her mood apparently is dejected and in forlorn. Wrapping herself in long garment that appears to be curtains she seems to be ready to be subordinative. The picture is divided into three parts by vertical delimiters. The first two shows the subject's shadow cast behind. They are yellowish and sepia in colour. The colours have a shady effect in both of the first two parts in their entirety. As opposed to these the third one has a combination of unshaded sepia and yellowish curtains. As such they appear to be deep brown and reddish yellow. The third part curiously has no shades. The lady is discernible here only by means of her head popping out at the upper left corner. Both her head and the ground in this part is in greyscale and shares no shade with the curtains she holds. The connotation here is about the lady's sufferings in life and her subsequent conformity with them. She may have possibly undergone harassment and oppression. The three parts might be chorological progression through her life and the third part might represent her most matured state in life as she appears to hold both the heavier and lighter gloominess of her life together in the absence of any shade even though she happens to be at the corner of the picture this time.
Shakil's works mainly plunge deep into woodcut. His prints are considered to be pure realistic and his work zooms in on self-realisation, self-thinking process and self-observation through himself. Most of his works are engrossed with a single figure, which is himself in varied movements. His mode of expression is usually realistic, depicting particularly himself with different configurations. His works are suggestive of the human body. The artist often portrays human forms in both usual and unusual ways. His prime aim is to highlight the movements of human body and also to emphasise the inner struggle and torment of human beings. At times, his works have focused on figural movements and their significant articulations.
Shakil's pet subjects include intimate relationships, personal perception and thinking process to scrutiny the inner pain, struggle and longing. He also keeps his eyes on the country's socio-economic and political conditions which are very much connected to his prints and it can be easily said that his prints are truly the reflection of the society.
Odyssey-3                      Woodcut	               2018

Odyssey-3 Woodcut 2018

The background of most of his compositions is occupied by delightful hues and soft tones. Throughout his career, Shakil has concentrated on a very limited theme. Sometimes his mode of expression is figurative expressionism and at times he etched light and forms through the approach of realism. Light and shade superbly interplay into his prints and he cautiously keeps a balance between figure and overall composition. It's very difficult to maintain the balance between both of the ingredients. Most of all, his prints are technique oriented and have a great touch of aestheticism.
Shakil is a printmaker who has closely observed many aspects of human life. The human lives of different aspects, socio-economic structure, common people and their way of life tremendously impact his prints. All these elements are meticulously portrayed in his works. His constant search for novel themes has assisted him in acquiring firm footing in the interpretation of human life.
Shakil began his career as a realist printmaker. But with the passage of time, he has refined himself. Consequently, new-fangled composition and different types of objects have been added to his works. He is an emotionally charged printmaker and he etches what he feels in the core of his heart. His signature form is a recurring figure. The artist's aim is to translate emotions. His figures are stylistic rather than realistic. Another important feature of Shakil's work is his concentration on the relationship between inner and external movement.
Shakil's prints also focus on the strength and power inherent in humans. His figures are bold and valiant. The artist has used space to interact with figures. The combination of composition, where one figure almost melts or dissolves into the other, expresses how dependent we are on one another for love and affection.
Shakil's deep understanding of the medium---woodcut and his great zeal for the themes always assists him to create something mind-boggling and alluring. His prints look neat and clean, and always avoid ornamentation. His prints are fresh, extraordinary and provide the spectators a sense of pure bliss and joy. His compositions are lively and have the right kind of restraint. He knows where to stop.
Evidently, Shakil has good control over mediums and compositions. His hues have a strange lucidity with various phases coming into play as he creates a link with figures. Some of his woodcuts feature human hands with their varied articulation. The limbs come across as forceful and active. He wants to add variation to his repertoire.





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