Fakrul Islam Mazumder rceives the award from President Abdul Hamid. Cultural Minister Asaduzzaman Noor is also seen.
Noted
printmaker Fakrul Islam Mazumder known as Shakil has received the
Honourable Mention Award at the 18th Asian Art Biennale. His woodcut
titled "Odyssey" shows the disposition of three women or perhaps a
single woman from three different viewpoints. Her mood apparently is
dejected and in forlorn. Wrapping herself in long garment that appears
to be curtains she seems to be ready to be subordinative. The picture is
divided into three parts by vertical delimiters. The first two shows
the subject's shadow cast behind. They are yellowish and sepia in
colour. The colours have a shady effect in both of the first two parts
in their entirety. As opposed to these the third one has a combination
of unshaded sepia and yellowish curtains. As such they appear to be deep
brown and reddish yellow. The third part curiously has no shades. The
lady is discernible here only by means of her head popping out at the
upper left corner. Both her head and the ground in this part is in
greyscale and shares no shade with the curtains she holds. The
connotation here is about the lady's sufferings in life and her
subsequent conformity with them. She may have possibly undergone
harassment and oppression. The three parts might be chorological
progression through her life and the third part might represent her most
matured state in life as she appears to hold both the heavier and
lighter gloominess of her life together in the absence of any shade even
though she happens to be at the corner of the picture this time.
Shakil's
works mainly plunge deep into woodcut. His prints are considered to be
pure realistic and his work zooms in on self-realisation, self-thinking
process and self-observation through himself. Most of his works are
engrossed with a single figure, which is himself in varied movements.
His mode of expression is usually realistic, depicting particularly
himself with different configurations. His works are suggestive of the
human body. The artist often portrays human forms in both usual and
unusual ways. His prime aim is to highlight the movements of human body
and also to emphasise the inner struggle and torment of human beings. At
times, his works have focused on figural movements and their
significant articulations. Shakil's pet subjects include intimate
relationships, personal perception and thinking process to scrutiny the
inner pain, struggle and longing. He also keeps his eyes on the
country's socio-economic and political conditions which are very much
connected to his prints and it can be easily said that his prints are
truly the reflection of the society.
Odyssey-3 Woodcut 2018
The
background of most of his compositions is occupied by delightful hues
and soft tones. Throughout his career, Shakil has concentrated on a very
limited theme. Sometimes his mode of expression is figurative
expressionism and at times he etched light and forms through the
approach of realism. Light and shade superbly interplay into his prints
and he cautiously keeps a balance between figure and overall
composition. It's very difficult to maintain the balance between both of
the ingredients. Most of all, his prints are technique oriented and
have a great touch of aestheticism. Shakil is a printmaker who has
closely observed many aspects of human life. The human lives of
different aspects, socio-economic structure, common people and their way
of life tremendously impact his prints. All these elements are
meticulously portrayed in his works. His constant search for novel
themes has assisted him in acquiring firm footing in the interpretation
of human life. Shakil began his career as a realist printmaker. But
with the passage of time, he has refined himself. Consequently,
new-fangled composition and different types of objects have been added
to his works. He is an emotionally charged printmaker and he etches what
he feels in the core of his heart. His signature form is a recurring
figure. The artist's aim is to translate emotions. His figures are
stylistic rather than realistic. Another important feature of Shakil's
work is his concentration on the relationship between inner and external
movement. Shakil's prints also focus on the strength and power
inherent in humans. His figures are bold and valiant. The artist has
used space to interact with figures. The combination of composition,
where one figure almost melts or dissolves into the other, expresses how
dependent we are on one another for love and affection. Shakil's
deep understanding of the medium---woodcut and his great zeal for the
themes always assists him to create something mind-boggling and
alluring. His prints look neat and clean, and always avoid
ornamentation. His prints are fresh, extraordinary and provide the
spectators a sense of pure bliss and joy. His compositions are lively
and have the right kind of restraint. He knows where to stop. Evidently,
Shakil has good control over mediums and compositions. His hues have a
strange lucidity with various phases coming into play as he creates a
link with figures. Some of his woodcuts feature human hands with their
varied articulation. The limbs come across as forceful and active. He
wants to add variation to his repertoire.
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